Album Review: John Mayer- Battle Studies

Hi, 

    My name is Surjo and I am a pro-musician, the songs you're hearing (hopefully) are from my debut album 'The Key Has Turned' which you can buy here: here

Today, I shall be reviewing 'Battle Studies' by John Mayer. It's John's 4th studio album and does seem to mark a departure from his sounds from his first 3 studio offerings. The overall sound mellows out a bit, and it also doesn't hit you in the face with crazy guitar melodies. I'm not saying that's missing, it's just not in the forefront, thanks to a more textured sound in the album. Also, for anyone who has heard Steve Jordan play, his stamp and signature style is all over this album, in the drums as well as in the production. The guitars sounds a little grittier, it all sounds a bit warmer, and it all sounds great. 

                                                                                                                                                                    

The first song in the album is 'Heartbreak Warfare', and the first thing that pops up is the guitar riff, a cool whammy bar flutter. Off the top of my head, I personally can't remember this being used as the riff for the entirety of a song so John racks up cool musician points walking in. The lyrics are centred around the betrayal by a woman, and the different ways in which John wants to resolve the issue. He wishes her to understand just how much he loves her and he wishes she stop tormenting him. Now who amongst us men hasn't had a woman do that to us. Ladies, treat us gentle. A line which resonated with me in particular was, "How come the only way to know how high you get me, is to see how far I fall?" John has always had a knack for writing people's love stories and he doesn't disappoint here.

'All We Ever Do Is Say Goodbye' is next and that might be a really unlikely song title, there's just something about that phrase that makes it a little morose as a song title, and on listening to the song it is completely justified, the song is just sad. It speaks of a couple in a dysfunctional relationship and the desire of the female to want to try again, and the reluctance of the male since he's walked down that road before, taken steps to reconcile before, given his heart to her before but it has never worked out, and the most common thing that they ever do is two people is break up. A lot of violins in the background on a straightforward melody, which uptil this point in Mayer's career is a rarity. The words are well-written and well expressed, this guy knows what he is doing. 

Next up is 'Half Of My Heart' featuring Taylor Swift. Now, I think most of us know that John and Taylor were seeing each other at a point in time and that it ended poorly after that point in time, but I wouldn't be able to say whether they were dating before or after this song. I know it has nothing to do with the song, just trivia I guess. The song is as straightforward and feel-good as can be as far as the music goes, and the lyric isn't quite as feel-good but seems honest enough.This could have been a Fleetwood Mac song, now that I think about it, it does sound like one. More cool points for John. The song talks about John having certain notions about himself as a man who's meant to be alone as a result of his journey so far, and then someone walks in who makes him question that. It's a really smart lyric with some cool plays with words, and it's super feel good. 

 

'Who Say' is the first single from 'Battle Studies', and I can't figure out why. It's not a bad song, but definitely not the killer in the album, maybe trying to reprise 'Daughters' in some way. Although the lyrics score really high on the cool meter. John has always had a sense of expressing that there are more layers to him than his label would allow the public to see. The song challenges his public image with the words expressing a hidden anger that the guitar riff doesn't reflect. The jazz brush routine and the chromatic lines in the riffs almost are happy-go-lucky, but the words are anything but. 'I don't remember you looking any better, but then again, I don't remember you', and 'fake love for an hour or so' are some of the choicest gems from this song. He also referenced his Japan trip in the middle of recording in the song. This man gets a lot of cool points. 

'Perfectly Lonely' features a slide double stop riff that one wouldn't associate with Mayer, but then we should know by now that he has far too many layers to typecast. This song goes back to this sentiment of never being tied down, and how he's better off being perfectly lonely. In his singing, I got to say that the way he hits his falsettos are so natural, that really stands out to me, because I wouldn't say his singing is his strongest suit. The music is such that it's almost he's celebrating his solitude, 'Cuz I don't belong to anyone, and nobody belongs to me'. Also, a guitar solo rears his head in this song, and of course it's choc-a-bloc with effects. I don't think he likes to keep the solos clean in his pop offerings somehow. 

'Assassin' has a cool music video if only I could get a decent quality version on youtube. The song is actually very complex with a lot of shades in the musicianship. The start of the song with the xylophonish sounds and the relaxed approach with his voice really comes alive in the chorus with the gritty guitars and Steve Jordan's snare drum finding it's voice. Lyrically, the song is a metaphor, with John comparing his one-night standing nature to a hired killer. He does a pretty solid job of setting the metaphor, especially the line before the chorus stands out for it's IQ. 'Should have turned around and left before the sun came up, but the sun came up again'. In the song, he, who is a serial womanizer, has met his match, and he didn't know the girl he was bedding was a serial 'manizer' (??? That's not a word, but you get it, hey how come there is no word for that?). He pays the price. 

'Crossroads' is of course a blues classic, born out of legend, and Robert Johnson's Faustian Pact. Trust Mayer to put his own spin on the riff with an absolutely bizarre effect on the guitar. I don't know how to feel about that, which immediately puts it in the not-cool category. Very weird arrangement of the vocal harmonies, and again I'm at a loss to understand what happens. What I do know is that Steve Jordan and John locked in superb on the bass and drum groove. That's right, John plays the bass line on this. How does that make us feel? Very depressed of course, John, dude, let some other people do some stuff too man. 

'War Of My Life' starts off at an urgent pace, almost like someone walking quickly. Some ambiguity in the early verses as to why he is in the war of his life, but he starts off by challenging the circumstances to bring all they can for he's ready. The ambiguity isn't really settled by the end of the song, and we don't know what has brought about the war. Nevertheless, the riff is a relatively simple one with quite a few layers running through the stereo field. The guitar solo is again filled with effects, must help that he has cupboards full of pedals. All the tricks needed to fill space are used like the soft chorus, the buildup, the 2 line bridge to a guitar solo. Wish he were more specific with the song. 

'Edge of Desire's' guitar riff is strangely reminiscent of 'The Police', which again rakes in the cool points. The lyrics are rough though, it's a reflective song, where John laments his failures in love. He showcases his trademark insecurity and vulnerability which had been missing in the words so far but which was choc-a-bloc in his previous albums. Steve Jordan's playing style is like a fingerprint, completely unique in sound and execution. There is quite a bit of cool music in here, including a Coldplay style buildup before the final chorus which is sung with a lot more anger and tension. 

'Do You Know Me' starts up with a melodic guitar riff, but not as involved as some of his riffs from his first 3 albums, he's learnt to calm down it'd seem. The song is about a sense of deja vu, or atleast that's what I could make from it. He seems to be speaking to a vision in his dream, and asking whether the vision knows him because he can't seem to place her. Btw, classical guitar at the forefront in this song, which is a departure from his usual fare.

 

'Friends, Lovers Or Nothing' finishes out the song, and it is very much in the Elton John territory. I started having visions of Robert Downey Jr walking around in the video of 'I Want Love' because of those bursts in the piano, and that drum beat. Ok, this sounds like a tale of old lovers who are trying to find some love in each other when it fails elsewhere, or is it some kind of friends with benefits gimmick? A lot of music in the song, lot of interludes and the piano adds a lot of depth to the entire range. The lyrics are tight in execution but doesn't it leave you wanting some resolution? I don't know, I felt that way. 

All in all, a very enjoyable album, and for those who were teenyboppers when Wonderland came out, they might just be old enough to get into the maturity here, and for those who are teenyboppers who are listening to this as the first offering from Mayer, I might actually say go through the entire journey from 'Room For Squares' because this is a sincerely good album which'll demand your attention. I hope you have as much pleasure listening to the album as I did. Enjoy. 

Yo Yo Honey Singh! The Champion of Urban India?

Hi,
    For those who have read previous entries to my blog, the title must surely come as somewhat of a shocker. I urge you to read on, and vent post reading. A few things out of the way before I begin; firstly, I have not heard all of Yo Yo Honey Singh's songs, only a few, don't know which one's he has sung, and have not heard them in efforts to research for this train of thought. Secondly, I have not used Wikipedia or the internet to research various aspects of his life, because quite frankly, I don't care much about his past or beginnings.

  For those who haven't read my blog and don't know why I am writing this about their hero; I'm a pro-musician, have been playing guitar for the last 17 years and am very curious to know how you got to know about this article. Is it because it has to do with Yo Yo Honey Singh?

   Now on to  what I want to write about. It's about Yo Yo Honey Singh. If you haven't heard of him while you have access to the internet and TV in India, then you are part of an overwhelming minority, or are trapped under a rock. I'll be using the abbreviation YYHS to refer to him for the rest of this article, because it's tedious to type out his full name, and he does insist that Yo Yo is a part of his name. He's a singer who is the flavour of the season, and what a strong flavour he is too. It is difficult to move anywhere in India without running into the legend of YYHS. I want to narrate a couple of anecdotes before I launch into my analysis. For the past year, I had been acting as tour manager for Bollywood soul diva Shilpa Rao, and as such my phone number was made public, which resulted in a lot of phone calls and messages from her fans in and out of the country, they who wanted to speak to her, profess their love to her, marry her, meet her, give her their lyrics, the whole nine yards. Two calls stand out in memory for their disconnection to Shilpa Rao. It was almost in the same manner, I'd get a call, it was a male once and a female the other time. They told me they were huge fans of Shilpa Rao, I offered to deliver a message to her from them. They hesitated, told me it wasn't necessary, and then went on to ask for YYHS' number. I would inform them that I didn't have his number, they'd ask me to ask Shilpa Rao if she did. And as a rib, I narrated the entire incident to her, and asked her whether she had YYHS' number. She burst out laughing and said she didn't.

   That's the impact this man has on the masses of our country at the present time. He has reached a level of visibility and success that has hitherto been unseen. He's on TV shows as a guest, he's on TV adverts, and he has just been given his own show on the Star Network, where he'll be a mentor to those who are looking for the opportunity to showcase their songs to millions. This kind of stardom is unprecedented. Those who have been industry stalwarts in the past, have not had the exact same path. Daler Mehndi blazed a trail in the mid-nineties, but due to the lack of the internet and TV exposure at the time, he didn't quite get where YYHS is at now, had Daler been here now, it might have been a different tale, but we'll never know. Jal, the Pakistani band who was at the hearts of everything romantic in the mid 2000s didn't quite reach YYHS' level as well. In the information age, a simple look at the Facebook stats of artists reveals his reach. His Facebook page has 24 million likes, which is ahead of Aamir Khan, SRK, Salman Khan, Amitabh Bachchan, Sonu Nigam, A R Rahman, Shreya Ghoshal, Sunidhi Chauhan, Lata Mangeshkar, Sachin Tendulkar, and pretty much everyone else Indian.

   So what is it about YYHS that has captured the imagination of the nation? I know for a fact that he has a vast number of detractors too, especially in the demographic of parents who are concerned as to the result his lyrics have on their impressionable children. I also know that his isn't the most musical act in town. His live performances are more show than substance, so why is it that people don't care for the negatives and seek out this man, whose positives are hard to find and harder to explain. My opinion on my own question came to me while I was listening to 'Khoj' an album made by Delhi band 'Antariksh'. I feel 'Khoj' is an amazing album, and quite different to most Hindi rock acts of past and present, yet whenever I shared the album with my friends, most of them have been lukewarm to the band and their album, citing various reasons as to why they didn't like it. So it was while listening to the album, that I did a quick mental check for the songs of 'Khoj' against the songs of YYHS that I'd heard and I formed concrete opinions as to why YYHS works like a charm.

     I had first heard of YYHS when he was just HS and hadn't begun to YY between his house and the bank collecting ludicrous sums of money. I was in college, so almost 7-8 years ago, and there was a song which was all the rage. It was titled 'C***', a (Hindi?) word which translates to a certain part of the female anatomy. The lyrics were filth, and obviously, captivated all the guys in my hostel, and in the college in general, and across all colleges too I would think. Here's a guy, who is basically talking about a guy's innermost primal feelings, in the innermost primal language, that which is normally used after lusty drinking sessions and such, with the exception that it is not on any inner level at all. He's loud, proud and completely unabashed in his lyric, his delivery and his clear desire to get as many people to hear it as possible. I'm sure that his lyric isn't quite as crass anymore, but I have heard some of the complaints from parents about a lyric to do with '4 bottle vodka' or some such, while he was on Kapil Sharma's family friendly comedy TV show. By the way, Kapil Sharma's Facebook following is also behind YYHS' and this guy has the highest rated non-fiction TV show in India today.

   Therein lies the charm of YYHS. He is essentially what India is growing into. Our country is a juxtaposition of a schooling system which champions fear, decency and hard work for continued minimal success, and a political system which will choke you till your eyes pop out. As a result, most of young urban India, while having jobs that pay their bills, and put food on their plates, are in a state of almost constant disillusionment, and with no forum to express their frustration. The kids are taught English at school, asked to use English in the workplace and in every professional interaction, yet they are far more comfortable in a tongue that is neither Hindi, nor English, nor Punjabi. Young Indians are now most comfortable in the tongue of abuse. Abusive remarks are used like punctuation, language no bar, I have seen that in English, Hindi, Tamil, Telugu, Oriya, Bangla, everywhere. I'm a musician who's had to travel a lot, and I've studied in a college where students from all stratas and states come to study, believe me, I've seen this for years, being a constant F-word user myself.

   This is also a time when young Indians, despite the frustrations, are in fact more confident in their own ability than ever before, and part of the frustration has to do with non-utilization of that ability. That's a dangerous mix if you think of it, confidence, which has come from years of education, hard-work and an iron-will, matched up with a society whose extreme pragmatism wants to confine the same confiidence it has bred. What results is a youth, whose inner-mind is extremely volatile, fractured and looking for a space to release. This is where YYHS steps in.

   He's not the most skilled musician in the world, he probably isn't the most skilled musician in his house, but let's face it, YYHS, isn't selling just music, he's selling himself. The sheer outrageousness of adding the Yo Yo to his name, which might be dumb to anyone who stops to think about it, is now the biggest separating factor between him and his contemporaries. He has a stage-name that trumps all stage names. This is no pen-name, no pseudonym, no Bachchan, or even no Eminem. This is as basic as branding gets, add something you associate immediately with the genre of rap and hip-hop to your name. And there you have it, Yo Yo Honey Singh. The sheer brazenness of it is what I think is so attractive. In a society where the youth are constantly encouraged to cross their T's and dot their I's, to maintain their social standing at all costs, here is a guy who creates an all new social standing for himself, as good a dream as any for the young Indian.

  It doesn't stop there, aiding YYHS' juggernaut is the incredible role that social media plays in the life of urban India today. I saw a married couple at a coffee joint where for the first ten minutes both husband and wife were just texting on their phones, then the wife showed something on her phone to her husband, following which she went back to her phone, the husband started and finished a call, and then proceeded to stare out the window, their coffees came, were consumed and they left. My 9 year old cousin knows which is a timeline photo, which is a profile photo, and going closer to home, told me yesterday 'You don't know about Yo Yo Honey Singh, where've you been, don't you know we all love him?' These aren't isolated cases I'm sure, as can be evidenced by his tremendous following on social media.

   So there you have it. A guy, whose pretense is that he makes no pretense. What he thinks is what he says, and if it is foolish, rough around the edges, rustic, then it's your problem to deal with, not his. If the music isn't great, or lyrically stimulating in the traditional sense, again, deal with it. If the live performances aren't great or really true, again, deal with it. Which I think is exactly what young India wants to portray to the entire world. We're here, and we're taking over, and deal with it.

PS. I'm not a fan, just an analysis of what I can see.

The Army Experience!

Hey, for those of you who don't know about it, I love playing music. In fact I love playing it enough to not join my job and want to play forever. Well, in the aforementioned noble quest, we (Neville and I) were given the most unique opportunity, to play for the country's elite, the army.
They got in touch with us via RJ Rajiv (that story is for another day), and we were told that we were to play country songs for a very special gathering. We agreed, as always, and went off to the army cantonment to see what it was all about.
First impression, professionalism. They don't just let any tom, dick and harry enter the place. You park your vehicle outside, state your business at the gate and they check to see whether it is authentic and then you are given permission to enter their gates. The way they walk, it's like keeping your chest out and stomach in is the way everybody on the planet should walk. Their uniforms, their shoes, their discipline is all a model to behold. A lot of my friends in college were from the Sainik School background and far more used to it than myself, who has never had any such experience.
They had a couple of howitzers kept there, just lying around, and I was like "Oh Shit!". Nevertheless, we were shown to the second-in-command of this particular troop, his name is Capt. Joshi. and he is one impressive guy. What I mean to say is that this is how an officer should be, whether he is of the Indian Army or of any software firm or whatever. It is so often that I see a guy who's an officer in his company but is a total lout and who never makes any impression whatsoever, it's depressing. Here was this guy, who could rip you apart with his bare hands (trust me) and still was talking in the most courteous polite tones ever, giving us the respect for being musicians!! We were served water, tea and coffee within 2 minutes of stepping into his office. The discipline is astounding, any junior officer salutes and asks for permission to enter the room before stepping in, in contrast to my college years when we walked out of class without as much as a look at who is teaching.
The Captain explained the basic gist of the gig to us, told us we would be paid, asked us to not charge exorbitant amounts as they were a non-profit organization, all of which was super-cool with us. The best thing he said was, once this gig happens, you guys can come here anytime, we have Nike, Adidas and such brands available here, all at 1/4th price!! And the booze prices are unbelievable. That aside, it would always be fun to just chat with them.
We then proceeded to the commanding officer's chambers. I couldn't get the guy's rank for some reason, but he was higher than a major, and had previously been a pilot. Huge hunk of a man, even though he spoke to us in the most jovial of tones, it was obvious that this is not a guy anybody would want to cross. I am guaranteeing that any of those guys give a slap, then that will have the victim in some discomfort for some time. He told us how he got the venue, he spoke to the venue's manager who was like, we don't give this to even the high ranking Tata Steel officials, this guy said, I'm not a high ranking Tata Steel official. We are out there killing people with our bare hands for you'll and you say you can't give us a room?? Needless to say the room was theirs, such a compelling argument never fails to strike home. He was talking about being an RJ if he were to resign from the army!!

We were there the next day too, for the soundcheck and so on. Coolest thing, we got to ride in their jeeps, with guys with guns as our protection!!! Speaking to Capt. Joshi, he told me that he had completed his MCA and was running a web designing firm with his friend when he decided to join the army. The last posting they had before Jamshedpur was at the Chinese border, 800 metres from the border. They have a policy of rotating their war zone-peace zone shifts so that their family lives don't take a massive beating. 4 years in Jamshedpur and they are leaving for Rajouri in J$K on the 4th on August. On asking Capt. Joshi about the experience, the guy was literally rubbing his hands with glee, he was like, this is why we are here, this is what we do, we don't like sitting in peace zones for too long. I was like wow! They are something else. This particular troop will be manning the LOC there, and Capt. Joshi says that once he sends his men up there, he aint asking them to come down for the next 2-3 months, since they need to get completely acquainted with the terrain and everything about the land. What a difficult life, but they seem to hunger for it.
Onto the show day then, it was an amazing experience, Army guys look smart even without the uniform! We had 2 generals in attendance as well, very small restricted show. Lieutenants and above only I think. Some of the wives were in attendance as well, a very well set-up room, good food and drinks in supply and the guys had a blast. To watch them completely unwind is brilliant, to have a discussion on Bob Dylan lyrics with a general is something out of this world.
This experience is definitely something I shall forever remember. God Bless them. We are in very safe and capable hands. Jai Hind.